Helen Hunt—Oscar, Emmy and Golden Globe Award winner—stars in Susan V. Booth’s major revival of Pinter’s utterly domestic and utterly dangerous famed masterwork.
Emma, Robert and Jerry have history. The “eternal triangle” takes center stage in an inventive retelling by the Nobel Prize-winning playwright. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about.
Acclaimed stage and screen actor Helen Hunt (Mad About You, As Good As It Gets) makes her Goodman debut in this “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken, in the darkness of unsorted feelings” (New York Times).
Retta and Reggie are enjoying their usual evening on the porch when a longtime neighbor is pulled over by the police just before turning into his driveway. Everything goes as expected—until the unexpected happens. Tensions escalate, and eventually erupt, transporting us to a startling conclusion in Ms. Howard’s powerful new work. Lileana Blain-Cruz, a “master of curating chaos” (The New York Times), directs.
Retta and Reggie are enjoying their usual evening on the porch when a longtime neighbor is pulled over by the police just before turning into his driveway. Everything goes as expected—until the unexpected happens. Tensions escalate, and eventually erupt, transporting us to a startling conclusion in Ms. Howard’s powerful new work. Lileana Blain-Cruz, a “master of curating chaos” (The New York Times), directs.
Two lost souls meet at a crossroads, in the dead of night, deep in the Mississippi of it all.
Two lost souls meet at a crossroads, in the dead of night, deep in the Mississippi of it all.
The “perfect Chicago holiday tradition” (Chicago Parent) that has enchanted generations over four decades. Jessica Thebus returns to direct in this must-see, “moving and meaningful” (Chicago Sun-Times) annual production.
The “perfect Chicago holiday tradition” (Chicago Parent) that has enchanted generations over four decades. Jessica Thebus returns to direct in this must-see, “moving and meaningful” (Chicago Sun-Times) annual production.
Marvin has left his wife, Trina, for his male lover; Trina has married Marvin’s therapist; and their son, Jason, is grappling with his parents’ divorce and his looming bar mitzvah. Everyone’s world has been upended and now they must explore what their new lives may hold. Featuring a sung-through score and set against the backdrop of the AIDS epidemic, Falsettos is a humorous and heartbreaking web of ex-spouses, co-parents, new lovers, and the lesbians next door.
Marvin has left his wife, Trina, for his male lover; Trina has married Marvin’s therapist; and their son, Jason, is grappling with his parents’ divorce and his looming bar mitzvah. Everyone’s world has been upended and now they must explore what their new lives may hold. Featuring a sung-through score and set against the backdrop of the AIDS epidemic, Falsettos is a humorous and heartbreaking web of ex-spouses, co-parents, new lovers, and the lesbians next door.
In a sweltering motel room in the Mojave Desert, May and Eddie lick their wounds and get ready for another relentless round. This brawl is eternal and infernal.
In a sweltering motel room in the Mojave Desert, May and Eddie lick their wounds and get ready for another relentless round. This brawl is eternal and infernal.
A wildly imaginative new play that traces the touching, hilarious, heartbreaking saga of one man’s illness and his unlikely caretaker’s pursuit of her dreams.
A wildly imaginative new play that traces the touching, hilarious, heartbreaking saga of one man’s illness and his unlikely caretaker’s pursuit of her dreams.
Grace looks for the good in everything, but a want for goodness cannot unwind the past, as this taut family reunion explodes in all directions.
Grace looks for the good in everything, but a want for goodness cannot unwind the past, as this taut family reunion explodes in all directions.
It’s a celebration of life, hope and the healing power of love! The musical stage adaptation of Alice Walker’s Pulitzer Prize- and National Book Award-winning novel is a heart-rending, yet ultimately joyous, story of a young woman’s perilous journey of personal awakening in the American South. Come ready to shout in church, stomp at the juke joint, laugh and cry with unforgettable “come-to-glory gospel hymns, down-and-dirty bump-and-grinds, jazz that stutters, dips and dives, and gorgeous alto arias” (Chicago Sun-Times).
It’s a celebration of life, hope and the healing power of love! The musical stage adaptation of Alice Walker’s Pulitzer Prize- and National Book Award-winning novel is a heart-rending, yet ultimately joyous, story of a young woman’s perilous journey of personal awakening in the American South. Come ready to shout in church, stomp at the juke joint, laugh and cry with unforgettable “come-to-glory gospel hymns, down-and-dirty bump-and-grinds, jazz that stutters, dips and dives, and gorgeous alto arias” (Chicago Sun-Times).
“This is what I was raised in: pig guts and bad choices.” As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what the New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy.
“This is what I was raised in: pig guts and bad choices.” As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what the New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy.
At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come.
At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come.
As the Youngers await their recently deceased patriarch’s life insurance check, they allow themselves to imagine a bigger life – a life with room to breathe – until those plans are thrown into jeopardy. Hansberry’s language rings as wise and prescient as ever in her moving answer to Langston Hughes’s question, What happens to a dream deferred?
As the Youngers await their recently deceased patriarch’s life insurance check, they allow themselves to imagine a bigger life – a life with room to breathe – until those plans are thrown into jeopardy. Hansberry’s language rings as wise and prescient as ever in her moving answer to Langston Hughes’s question, What happens to a dream deferred?
Fascism is taking hold; revolutionaries are organizing; creatives are trying to capture the ineffable nature of their changing city; and – as everything falls apart – everyone is faced with a choice: abandon Berlin or fight to survive.
Fascism is taking hold; revolutionaries are organizing; creatives are trying to capture the ineffable nature of their changing city; and – as everything falls apart – everyone is faced with a choice: abandon Berlin or fight to survive.
A timeless and gripping retelling of Homer’s epic poem, An Iliad returns to Court’s stage, illuminating the human cost of conflict with breathtaking urgency. Timothy Edward Kane reprises his role as The Poet – the sole character in this one-person saga – who recounts a tale of war, hubris, and destruction that spirals across millennia and crashes into our present day. Jason Huysman – who has understudied this role for the past three iterations – will return as the understudy for The Poet and will be featured in select evening performances. Experience the raw power of An Iliad in Court Theatre’s intimate Abelson Auditorium, and confront the necessity of the classics head-on.
A timeless and gripping retelling of Homer’s epic poem, An Iliad returns to Court’s stage, illuminating the human cost of conflict with breathtaking urgency. Timothy Edward Kane reprises his role as The Poet – the sole character in this one-person saga – who recounts a tale of war, hubris, and destruction that spirals across millennia and crashes into our present day. Jason Huysman – who has understudied this role for the past three iterations – will return as the understudy for The Poet and will be featured in select evening performances. Experience the raw power of An Iliad in Court Theatre’s intimate Abelson Auditorium, and confront the necessity of the classics head-on.
